Bill Laswell feat. Coil – City of Light

* The legendary collaboration Between Bill Laswell, Coil, and Japanese genius Tetsu Inoue
*Fans of Coil, Bill Laswell, Tetsu Inoue
*First official CD reissuie. Digipak and additional booklet.
*Excellent sound and studio remastering by Martin Bowes (Attrition)
*taken from the ORIGINAL MASTERS

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Description

Bill Laswell music true legend, “man with the golden ears“ – 2013, he has been involved in hundreds of recordings with many collaborators from all over the world. Bassist, composer and music producer – enough to say that he was the producer for such legendary albums like Motörhead ‎- “Orgasmatron”, Iggy Pop’s “Instinct”, Public Image Ltd – “Album” or Swans “The Burning World” to name just a few.

In 1997, Bill Laswell released his sixth solo album “City of Light” recorded in Banaras, India, and mixed in Greenpoint, NY. For this album, he invites John Balance and Peter Christopherson from COIL, they did 13-minutes epic composition “Kála”; and Japanese ambient genius Tetsu Inoue, who decorated the album with its characteristic sound. Together they created an amazing conceptual record full of deep drones, tabla-rhythms, and ambient collages.

“City of Light” is about Banaras, a city older than history, tradition, and legends. It is Shiva’s land, founded at the dawn of creation. It is India’s oldest and most fabled city. The Hindus call it Kashi, the luminous… The City of Light.

reviews:

“I only have one gripe with this release. At forty-four minutes it’s far too short. Surely we could have been given more. There are four pieces here, all very ambient and atmospheric. Firstly let me say that the tabla work by Trilok Gurtu on Nothing is some of the best I have heard in ages. Very dynamic and powerful playing. While this is happening, the flute weaves its magic around the drone of the tamboura. Great stuff.
Ultimately what Laswell has achieved is a state of mind and this for me is the real strength of this recording. I love this and full marks to Laswell and his gang for putting it out. Even though it is a tad short.” – Hans Stoeve (Nadabrahma)

“The opening “Nothing” features a lengthy passage of tabla playing by Trilok Gurtu. The instruments slow construction and dissipation of dynamics and myriad of rhythms create a fascinating narrative of its own. The closing to “Kala” builds tension through the repetition of spring-like electronic tones that rise out of Carson’s erie, unintelligible whispering. Laswell lends his own sparse, dub-influenced bass to “Above the Earth,” playing against a buried clatter of metallic drums.” – Nathan Bush (Allmusic)

1 Nothing
2 Kala
3 Kashi
4 Above The Earth

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